R Archives - Page 2 of 2 - Multiple Exposure

Adolph B. Rice Studio Collection

C1: 112
ca.1950–1960
approx. 16,400 photographic negatives, 5,000 prints, 12 vintage 16 x 20″ exhibition prints, and a mix of 8 x 10″ negatives, transparencies, and additional vintage prints

Adolph Bransford Rice (1909–1960) was a prolific photographer, addressing a range of commercial needs in Richmond throughout the 1950s. A well-liked businessman, Rice was active in Richmond’s Catholic community, as evidenced by his frequent photographic coverage of church activities, as well as a member of several photographic associations, and regularly contributed images to the Richmond Times-Dispatch and the News Leader. After Rice’s death at age 51, the studio went to his son, Adolph Rice Jr., who went on to serve as a staff photographer for the Virginia Museum of Fine Arts and the Library of Virginia, eventually donating his father’s entire photographic inventory to the latter.

Browsing the collection is an exercise in discovery as one stumbles upon subjects as eclectic as funerals and Noel Coward plays, broken sidewalks and local celebrities, austere priests and laughing nuns, retail displays and Tobacco Festival parades, highway construction and traffic accidents, groundbreaking ceremonies and retail showrooms, office parties and stag parties, school field trips and Civil War reenactments, elevator operators and Easter bunnies. Unlike many commercial photographers of the period, Rice seems to have had a personal ease with his subjects, who never come … Read the rest

Real Photo Postcard Collection of Virginia Railroad Depots

Photograph Collection

C1: 061
ca. 1900–1990s, bulk 1930s-1960s
124 postcards

What makes this collection unique is its focus on the depots of smaller cities, towns, and whistle-stops of rural Virginia, rather than the palatial rail hubs of major cities, such as Richmond’s Main Street Station, of which there is already an abundant visual account. The images date from the very early twentieth century to the mid-1970s, with some images from as late as the 1990s. Almost all the images were daytime shots and practically none document human activity or presence. Instead they focus on the architectural qualities of the depots themselves, significantly without regard to any depot’s ostensible architectural importance. Indeed, the passenger shelter in Ashcake, Virginia, looks to be a tiny shack overtaken by shrubbery. Williamsburg’s looks more like a faux-colonial bank than a depot, and Danville’s is an aluminum modular building. Most of the depots featured, however, are in the more familiar “cottage” style.

Arrangement and access:
Alphabetically by location

Provenance:
Purchased 1997

Related resources and collections:
Postcard Collection
Prince Railroad Collection